國科會計畫統計

• 迪士尼的治理世界：動畫、壟斷資本與皮克斯的內在批判
  1150801~1160731
  

• 迪士尼的治理世界：動畫、壟斷資本與皮克斯的內在批判
  1140801~1150731
  

• 動畫的寓言故事：皮克斯作為迪士尼集團批判
  1130801~1140731
  

• 動畫的寓言故事：皮克斯作為迪士尼集團批判
  1120801~1130731
  

• 重新思考遊戲研究：電玩與新自由主義主體之探索
  1110801~1120731
  [電玩,遊戲設計,遊玩,阿多諾,工具理性,新自由主義,主體性 , video games,game design,play,Adorno,instrumental reason,neoliberalism,subjectivity]

• 遊戲化主體：遊戲化與新自由主義集體動員
  1100801~1110731
  [遊戲化,遊戲,玩,新自由主義,阿多諾,工具理性,推力,糖果傳奇,閒散遊戲,上癮,說服科技 , gamification,game,play,neoliberal,Adorno,instrumental reason,nudge,Candy Crush,casual game,addiction,persuasive technology]

• 科技文化、集團綜效、體驗經濟：轉變中的迪士尼帝國
  1070801~1080731
  [迪士尼,系列電影,皮克斯,動畫,漫威,超級英雄,體驗經濟 , Disney, franchise film, Pixar, animation, Marvel, superhero, the experience economy]

• 喪屍！──後福特主義下的集體性與媒介過程
  1060801~1070731
  [喪屍,媒介過程,後福特主義,群眾,動畫,群眾模擬,數位遊戲,勞動 , zombie, mediation, post-Fordism, crowd, animation, crowd simulation, digital game, labor]

• 作為電腦使用者的動畫家:從補丁匠到發明家
  1050801~1060731
  

• 殭屍與數位生產模式：遊戲與電影中的模擬群眾(I-II)
  1040801~1050731
  

期刊著作

• 〈《糖果傳奇》：成癮、賭博與新⾃由主義⾦融化世界
  中外文學Chung Wai Literary Quarterly, 52, 4, 55-87, 2023-12-13
  [ 糖果傳奇,成癮,賭博,金融化,新自由主義 ]

• Frozen: Media Franchising and Disney’s Administered Culture
  Wenshan Review of Literature and Culture (文山評論：文學與文化), 17, 1, 61-92, 2023-01-01
  [ administered culture,Adorno,animation,Disney,franchise,media conglomerate ]

• The New Mass Ornament: World War Z, Crowd Simulation, and Post-Fordism
  , 2020, 44, 53-79, 2020-01-01
  [ labor,network society,Siegfried Kracauer,visual effects,zombie ]

• The Animator as Inventor: Labour and the New Animated Machine Comedy of the 2010s
  Animation, 13, 3, 238-251, 2018-11-01
  [ animator,computer animation,computer user,film comedy,Fordism,inventor,labour,operational aesthetics,post-Fordism ]

• 動畫的補丁匠之夢: 動畫家與操作美學
  現代美術學報, 0, 31, 77-97, 2016-06-01
  [ 動畫,勞動,補丁匠,麥凱,弗萊雪,迪士尼,阿德曼,DIY,操作美學 ]

• 《怪獸電力公司》--皮克斯的新經濟美學
  中外文學Chung Wai Literary Quarterly, -, 45:1, 85-117, 2016-03-01
  [ 皮克斯,迪士尼,動畫,後福特主義 ]

• The aesthetics of keyframe animation: Labor, early development, and Peter Foldes
  Animation, 8, 2, 111-129, 2013-07-01
  [ computer animation , Disney , Eisenstein , keyframe , labor , metamorphosis , Peter Foldes , plasmaticness , rubber hose animation ]

• 《冰雪奇緣》：媒體品牌化與迪士尼治理文化
  Wenshan Review of Literature and Culture (文山評論：文學與文化),
  [ 迪士尼,品牌媒體,媒體集團,阿多諾,治理文化,動畫 ]

研討會著作

• Candy Crush: Benjamin, Gambling, and the Contemporary World: Mass Addiction as Entertainment
  2022-06-15
  [ Candy Crush,Benjamin,Gambling,Addiction,Temporality ]

• 除魅的自然：《食破天驚》的環境主義與阿多諾
  2021-06-05
  [ adorno,animation,nature,Environmentalism ]

• The Disney Princess Animation and the Disney Logo
  2020-12-11
  [ disney,animation,Disney logo,Disney theme park,Disney Princess,media conglomerate ]

• Zombies and Technological Mediation in World War Z
  2019-10-18
  [ zombie,post-fordism,visual effects ]

• The Animator as Inventor: Labour and the New Animated Machine Comedy of the 2010s
  2019-03-08
  [ animator,computer animation,labor ]

• Frozen: Disney Animation in the age of Disney Conglomerate
  2019-02-20
  [ animation,Disney,media conglomerate ]

• The New Mass Ornament: Crowd Simulation in World War Z
  2018-03-13
  [ zombie,post-fordism,crowd simulation ]

• 補丁匠動畫: 動畫家的自我形象與操作美學
  2017-11-01
  [ 動畫,工匠師,作者論 ]

• Monsters, Inc.: Pixar and Knowledge Production in Post-Fordism
  2016-06-18
  [ Pixar,post-fordism,labor ]

• Zombie and the Digital Mode of Production: The Automatic Gameplay of Plants. vs. Zombie
  2016-03-30
  [ 請修改 ]

• Boredom and the Endless Running Games: The Perception Economy of Temple Run
  2014-08-20
  [ Temple Run,mobile game,Adorno,critical theory ]

• Special Effects and the Compulsion to Repeat: From Optical Toys to Stereoscopic 3D
  2013-11-05
  [ animation ]

• 皮克斯與怪獸電力公司：如何大量生產創意
  2013-10-24
  [ 請修改 ]

• Labor and Entertainment: The Aesthetics of Disney Animation
  100, 2013-08-15
  [ animation,labor,disney,critical theory ]